A Meat Pie in the English style.
This is something that would have been eaten during the Regency (although without the pyrex baking dish). Dashed good, if I say so myself.
Cut 2 lbs (1 kilo +-) of beef into 1 inch/ 2cm cubes.
Marinate overnight in:
1/2 bottle guiness stout
1 cup red wine
teaspoon dried thyme
2 cloves garlic, peeled and crushed.
2 bay leaves.
3-4 hours before eating:
cut up and saute:
2 onions
handful of mushrooms
2-3 carrots
when soft add the marinade, a teaspoon of boullion (or cup of stock) and reduce.
Meanwhile, flour the beef and brown it in a frying pan.
Once the marinade is reduced:
put the vegetables in the bottom of a baking dish, cover with the meat. Use the reduced marinade to deglaze the pan the beef was browned in. (There will be flour that has stuck to the pan, this will dissolve it to thicken the gravy.) Add the deglazings to the baking dish. If the volume is correct, it will just cover the meat.
Bake in a cool oven (300F, 150C) for 3 hours. Use a covered baking dish. (important, you don't want it to dry out.) The meat should be very tender by this time.
Remove from the oven, place a pie crust over the top (I used Type L biscuit mix here; my sister in law in the UK uses suet dumplings.)
Return to the oven and bake at 375F 180C for 45 minutes until the crust is done.
Showing posts with label regency. Show all posts
Showing posts with label regency. Show all posts
Tuesday, October 6, 2015
Saturday, September 12, 2015
A Designing Woman 4 for #wewriwar
More from the Steampunk book
Welcome to Weekend Writing Warriors. This is a sample from my latest work in progress, "A Designing Woman", and I hope you enjoy it. This is the start of the next chapter and introduces more of the family. Continuing from last week, Amanda's father and brother quiz her about the mysterious Mr. Williams.
(last weeks snippet).
She laughed, “Don't get too far ahead in your hopes. He's studying for the ministry, and I somehow cannot see myself as a minister's wife. Could you imagine me doing everything Mrs. Peabody does?”
Privately, Lord Caterham had to admit that he couldn't see
that either, but this was such a step in the right direction for his daughter
that he wasn't about to throw the least bit of obstacle in its path. So he
changed the subject, “Did Mr. Williams mention which college he was a member
of?”
“New
College, Freddie's; doesn't remember Freddy, though.”
“Who
doesn't remember me?” Frederick found his way to the parlor, having dealt with
the horses, or at least ensured that the stable hands were at their work.
Amanda regarded her brother with a mixture of affection
and envy. Affection, because he was a likeable if somewhat flighty, young man,
and envy, because he could attend university while she could not.
This is a work in progress. Here are links on tablo and authonomy. Apparently Steampunk implies Victorian, Dieselpunk the 1920's. What-punk should a Regency period book be? Horse-punk isn't right.
Despite being told in no uncertain terms that "steampunk" meant Victorian with ubiquitous steam technology, I'm calling this steampunk, although given the amount of time they will later spend on the river, maybe "Steampunt" is better. Amanda is working on what will become the defining technology of the 19th century, steam. Although, a few things, like the Napoleonic war will get in the way.
Saturday, September 5, 2015
A Designing Woman 3 for #wewriwar
More from the Pre-steampunk book
Welcome to Weekend Writing Warriors. This is a sample from my latest work in progress, "A Designing Woman", and I hope you enjoy it. This is the start of the next chapter and introduces more of the family. There is excitement in the air; Amanda finally shows some interest in a young man.
(last weeks snippet).
The next morning, Lord Caterham and his son
Frederick thundered into the stable-yard on their hunters. They had
ridden hard from Ewelme manor in Dursley after receiving important
news the night before via a messenger from Lady Caterham. Lord
Caterham rushed into the house, while Frederick ensured that the
stable hands properly rubbed down, cooled off, watered and fed their
horses.
“Elizabeth,” Lord Caterham shouted after he
entered the hall, “Is it true?”
“Is what true?”
“Amanda finally has a beau.”
“Quiet, please; let's talk in the parlor. Things
are, I think, at a delicate stage and I don't want to upset them.”
A few minutes later, in the parlor, behind a
closed and latched door, Lady Caterham filled her master and helpmate
in on what had happened.
“They met at the assembly. Danced three dances; would have danced a fourth had manners allowed; then he rode here
yesterday, ostensibly to see how we had recovered from our exertions,
but”
This is a work in progress. Here are links on tablo and authonomy. Apparently Steampunk implies Victorian, Dieselpunk the 1920's. What-punk should a Regency period book be? Horse-punk isn't right.
I'm calling this proto-steampunk simply because I was told in no uncertain terms that "steampunk" meant Victorian with ubiquitous steam technology. Amanda's working before that and during the Regency, so it cannot be steampunk.
Saturday, August 29, 2015
A designing woman #2 for #WeWriWa
More from the Pre-steampunk book
Welcome to Weekend Writing Warriors. This is a sample from my latest work in progress, "A Designing Woman", and I hope you enjoy it. Mr. Williams has come for a visit, the day after the assembly, and is now walking with Amanda on their way to the riverbank. They'd have seen her workshop, but for wearing their good clothes. He's just asked her about the papers he read (in last weeks snippet).
“What papers?”
“The ones in the library; I must say, you have a
fine hand.”
“I hope you didn't mix them up, they were in
order.”
“No, I could see that.” Then Mr. Williams
gently chided her, “May I add, that 'Principles of Mechanics' is an
unusual read for a young lady. I'd have thought 'the Mysteries of
Udolpho' or some such romance would be to your liking.”
Amanda stopped short. She was about to reply
sharply, and then noticed the smile on his face, “You're teasing
me, aren't you?”
“Yes.”
“I never saw the point in those books, all
heartthrob and passion in some made up land; I want to do real
things.”
This is a work in progress. Here are links on tablo and authonomy. Apparently Steampunk implies Victorian, Dieselpunk the 1920's. What-punk should a Regency period book be? Horse-punk isn't right.
Google's being dashed odd - the only way I can reply to comments is to edit the post. Oh well, there's always wordpress. Turns out, Google and Firefox don't get along on windows, but they do on my trusty Linux box.
I'm calling this proto-steampunk simply because I was told in no uncertain terms that "steampunk" meant Victorian with ubiquitous steam technology. Amanda's working before that and during the Regency, so it cannot be steampunk.
Saturday, August 22, 2015
A Designing Woman 1 for #wewriwa
More from the Proto-steampunk book
Welcome to Weekend Writing Warriors. This is a sample from my latest work in progress, "A Designing Woman", and I hope you enjoy it. Mr. Williams has come for a visit, the day after the assembly, and is waiting in the library. Like most libraries of the time, it was more for show than reading. He's found his way to Amanda' corner and is strangely interested in what he finds.
Instead
of the unused order that characterized the rest of the library, he
came to a section that was in active chaos. He picked up one book
that was lying open, face down, and read, “Principles of
Mechanics.” He frowned at the equations it contained. Then he
smiled to himself and put it back. A disorderly stack of pages was
tucked into a corner of the room nearby. They were full of drawings
and calculations; all were done in a fine feminine hand.
He paged through the sheets and studied Amanda's
work. As he gazed with interest at a calculation of the optimum size
for a piston, he was interrupted from behind.
“That's my daughter's trash. I try to remind her
to be tidy.”
This is a work in progress. Here are links on tablo and authonomy. Apparently Steampunk implies Victorian, Dieselpunk the 1920's. What-punk should a Regency period book be? Horse-punk isn't right.
Google's being dashed odd - the only way I can reply to comments is to edit the post. Oh well, there's always wordpress.
I'm calling this proto-steampunk simply because I was told in no uncertain terms that "steampunk" meant Victorian with ubiquitous steam technology. Amanda's working before that and during the Regency, so it cannot be steampunk.
Monday, August 10, 2015
Checking Slang.
One big headache for historical romance is getting the slang correct. It's 2015, and the tendency is to write in modern language. A "valley girls in gowns" regency romance won't always work. To be accurate, it will work some of the time, but not always.
I've been using a pretty darn good online etymology dictionary to check on usage. But it's manually curated. Therefore it makes mistakes (as do troll reviewers). An example from a book that is in the final editing.
I've been using a pretty darn good online etymology dictionary to check on usage. But it's manually curated. Therefore it makes mistakes (as do troll reviewers). An example from a book that is in the final editing.
'“Under a pen name, of course. Won't do to have
the next Lord Caterham associated with slushy romantic poetry. Just
not done.”'
Slushy sounds rather modern, and the etymology dictionary says it wasn't used at the time. Ha! If I go to the google Ngram search, which automatically searches the corpus of English (and other languages) literature. Turns out "slushy" is correct.
Thursday, August 6, 2015
"A Formulaic Romance" Work at its inception.
Just to show you how I work. This is the plot sketch for my next Regency romance. I'm thinking of calling it "A Formulaic Romance," though that will probably change.
I like to write an outline for the story, but am fully aware that it will change as the characters develop. Still, it gives me a framework for getting on with things. Scrivener is supposed to be great for this step, but I've had mixed results with it.
The outline is a bit sparse, and not completely grammatical, but it's not really meant for anyone other than me.
Chemist (male) is
disturbed when a carriage loses a wheel or breaks its mainbrace
outside his house. He's the proverbial “billionaire recluse
scientist” scaled to regency time.
They interact,
sparks sort of fly, then she takes off after the carriage is fixed.
He goes to London
(Oxford, Cambridge, Bath?) to present his results (Royal Society?)
She's in the
audience, with a beau? She didn't know it was him she met on the
road. They may say hello at the end of his lecture (basically
chemical magic show).
Anyway, Hero is
disturbed by family insisting he take a break. Could be a serious
enough accident that he needs time away (Hg, Ether, fumes,
Halocarbons?) from the bench. Sister/female cousin/Aunt insists that
he goes dancing. (see complication below, she could say “You don't
want X to inherit? Time you found a wife. Yes Aunt Augusta).
Runs into heroine
again. Almack's or some party or both.
They run into each
other, say at the museum, or out riding, or even (if not Almacks
Vauxhall (season was the summer ending sept 1 +-, Almacks was Jan –
April/May).
Now they are
noticing each other. There has to be some complication
{ complication
ideas:
She doesn't like
not knowing that he'll be safe.
He's framed for
poisoning someone by a not quite so rich relative who will inherit if
he dies without issue. (could be after they declare their love and
publish a note in the times) Beau from before could be the relative,
or in line for inheritance.
}
Complication is
resolved. If it's the poisoning, she does something dramatic like
drinking 'the poison' in court. Or there could be some skullduggary.
(Gaolbreak, followed by chase, followed by finding the critical
information in villain's home.) Heroine proves he's innocent, maybe
by doing the experiment to show that the solution which was supposed
to be Arsenic/Antimony was nothing but wine. Could be after he's on
the way to the gallows?
Thursday, July 23, 2015
Progress, I guess.
I finished the first draft of my latest. It's on writeon (there's not a way to give it a link), and maybe Authonomy. I've changed the title, and have a not ready for prime time cover.
So it's a step forward, but not as far as I'd like. Anyway, if someone is so daft as to want to read it, I'd be happy to send an advance copy.
So it's a step forward, but not as far as I'd like. Anyway, if someone is so daft as to want to read it, I'd be happy to send an advance copy.
Saturday, July 11, 2015
Incoming. Extract from my next one. Steam and Secrets?
The weekend warrior post is here
This is a regency-punk? work set in 1809. It combines steam, ciphers, codebreaking, and espionage, with a chase and sweet romance. Still working on a title. I've just crossed the 50K barrier, so it's approaching the intensive edit stage.
This is a regency-punk? work set in 1809. It combines steam, ciphers, codebreaking, and espionage, with a chase and sweet romance. Still working on a title. I've just crossed the 50K barrier, so it's approaching the intensive edit stage.
In any case I'd love to hear what you think.
Lady Caterham's Difficult Daughter.
“Amanda Jane Elizabeth Grace, what have you done
to yourself?” Lady Caterham wailed at her daughter. “You're
covered in grease, and we must leave for the assembly in an hour.”
Amanda stood in the doorway of Lady Caterham's room, awaiting
instructions from her mother. Lady Caterham sat at her dressing table
while she gave instructions to her daughter. Lady Caterham's maid
was waiting to put the finishing touches on her mistresses' gown and
hair while Lady Caterham dressed down her slovenly daughter.
“I was just repacking the bearings. We don't
want the wheels to fall off our carriage, do we? The roller bearings
Sam and I put together turn so much easier than the old wooden axle,
and I think you'll like the way we've sprung the box. It-.”
“And that's another thing young lady. Playing
around with machines. Why, look at those hands. Even if Mary can
clean the grime from under your nails, what man would look twice at
you with those hands?”
“There's more to life than men, mother.”
“No there isn't, at least not for a young lady
of refinement like yourself. Do you want to die an old maid, alone
and forgotten?”
“No, not as such. It's just. Well. Oh dash it
Mother, the man for me won't be upset with a little grease and the
odd broken nail.”
“One more thing young lady, watch your language.
Where did you ever pick up such an expression? Keeping company with
that blacksmith?”
“Oh no Mother. Sam is very polite. At least when
I'm present. Ask Mary about him if you want confirmation. It's Freddy
and his friends, when they come in from the hunt, who use such
expressions. I thought.”
Lady Caterham spat out, “You don't think. That's
the problem.”
“I do. If my brother can say it, and far worse,
then it's suitable language.”
“Suitable for a man that is. Now go, get cleaned
up. We must not be too late for the assembly. Not if you want a
dance.”
“Yes, Mother.”
Lady Caterham ignored the tone of that last remark
and watched as her eldest daughter, a striking, tall, auburn-haired
young woman walked off to change into the dress of a refined and
cultured young lady.
“My Lady,” Millicent, her maid, pointed out,
“Miss Amanda will have no trouble attracting male attention. She's
a fine looking young woman. As you were at her age.”
“That's true, but she'd look so much better
without that black grease streak covering her forehead and staining
her hair, or that house-dress. It's just so torn and patched, stained
with who knows what, and covered in grease. How can she stand to wear
it?”
“I don't know Ma'am, but she'll be presentable,
even elegant. Mary will see to it.”
“I'm sure she will, but I so wish Amanda would
focus on the important things in life. Like marriage, men and
children. Get her head out of the clouds.”
“Or the steam, Ma'am. I've heard that the 20th
regiment is stationed nearby. There should be plenty of fine young
men, officers in their red-coats. That should catch her eye and turn
her thoughts in the right direction.”
Lady Caterham thought for a few moments and then
replied, “I hope so. Although last time, she ended up talking all
night to an engineering officer from the artillery. A nobody, who was
a captain just because he'd been to school at the Royal Military
Academy in Woolwich and knew how to move guns and build
fortifications. It would have been better to leave her home. What's
the point of going to the assemblies if you don't flirt with eligible
men?”
Much to Lady Caterham's relief, and fully
justifying the expense of hiring her, Mary turned Amanda out dressed
in the proper mode of a young lady. The grease was gone from her face
and her auburn hair was immaculate, as were her muslins. She wore a
simple string of pearls, suitable for a young woman venturing into
the wilds of society. While no amount of cleaning could restore her
hands and nails to the pristine state that was so important in a
fashionable young woman, she would be wearing gloves. They would hide
most of the damage. One did not hold hands without something between
you and the young man.
Amanda did nothing that spoiled Lady Caterham's
trip. While she may have cast an eye over the bearings, axles and
springs, she didn't stop to play with them. Indeed, without the
squeaks, the jarring and the shaking normal in a carriage, Lady
Caterham arrived at the assembly in a remarkably refreshed state.
When they arrived at the assembly, one of the officers, a captain,
swept Amanda away. He led her onto the dance floor for the first
country dance of the evening. All in all, it made for an outstanding
start to the evening.
The vicar's wife, Mrs. Peabody, addressed Lady
Caterham, while she and the other mothers watched their daughters
perform the figures on the floor. “Lady Caterham, I know you suffer
in the carriage rides and I was planning to offer to chaperone your
daughter, but it looks like you're well. Did you find a cure for the
travel sickness? I only ask because I suffer too.”
Despite her misgivings about Amanda's mechanical
interests, Lady Caterham's bosom swelled with pride as she said, “It
was Amanda's doing. She redid the springs and the axles on our
carriage. It was such a smooth and quiet ride that I barely noticed
we were moving.”
“She did? I must say, she is a clever girl.”
“And see, she's dancing with.” Lady Caterham
stopped, “Who is that?”
“Oh, that's Captain Williams' cousin. He's
studying divinity, at Oxford.”
“A suitable connection?”
“Absolutely, quite nearly related to the
Fairfax's. They say he will inherit a sizable income. With his family
connections, he's bound to become a bishop.”
Lady Caterham smiled at Mrs. Peabody. “In other
words, a connection to be encouraged. I do so hope Amanda will find
something other than machines to tinker with.”
“I agree, a husband and children will soon put
her head straight. Settle her down.”
Their happy optimism about Amanda's prospects
would have been tempered had they been able to hear her conversation
with the young man. While good looking with blue eyes, dark hair and
a firm visage, able to dance the figures with a natural athletic
grace, polite, educated and well mannered, he was also a serious
disappointment.
“Mr. Williams, you're studying divinity?”
“A suitable study for a gentleman, honorable and
in the service of both man and God.”
“If you say so, but with a chance to meet Dalton
or Henry or Davy or,” and here Amanda gave a frisson of excitement,
“Even Faraday. You have the chance to study natural philosophy with
such masters, and you choose divinity.”
“What's wrong with divinity?”
“Nothing, except.”
“Except what?”
“It's so commonplace. I'd cut off my right arm
to study with any one of those men and you're just wasting the
opportunity.”
Mr. Williams was nonplussed. Unable to think of
anything witty, eventually he replied, “Please don't do that. You
have a pretty, indeed beautiful right arm. It wouldn't look right,
replaced with a hook.”
Amanda smiled back and laughed as she said, “I
didn't mean it literally, but I'd kill someone for the chance you
have and are throwing away.”
“Please don't do that either. I suppose I could
try law.”
Amanda's grimace suggested that option was, if
anything, even less appealing than divinity.
“In my defense, none of the masters you
mentioned are fellows at Oxford.”
“Still, there must be someone.”
Despite her misgivings about divinity students,
Amanda couldn't help feeling disappointed when the dance drew to a
close and it was time for the supper break. Mr. Williams bowed and
returned to his cousin's company, while she found her mother.
Lady Caterham's interests and hopes were peaked,
and she asked, “So, Amanda, what did you think of him? He has real
prospects.”
“About Mr. Williams?”
“Who else?”
“He seems a nice enough man. Although I wish he
were doing something with his education. Something worthwhile.”
“Damning me with faint praise?” It was Mr.
Williams. He had walked up behind them and was carrying two cups of
punch. “Miss Caterham, I thought you could use this, after your
exertions on the dance floor, and with the crush.”
Amanda blushed at his attention, then curtsied,
accepted the punch from him and said “Thank you. I didn't mean to
disparage you.” Her mother beamed at Mr. Williams, but fortunately
showed her good sense and stayed silent.
He replied, “You didn't say anything that you
hadn't told me to my face. It is true, divinity is dull work, but I
never had much aptitude for natural philosophy.”
Lady Caterham loudly whispered, cautioning her
daughter, “Amanda, behave. Watch that tongue of yours.” Mr.
Williams did not fail to notice Amanda rolling her eyes at the
admonishment, nor that she kept smiling at him.
He added, “It may be a liberty, but could I ask
for a third dance? That is if you are free.”
“She accepts,” Lady Caterham injected.
“Mother, please. That is so fast, to dance three
dances with the same man. What about my reputation?”
“What harm can there be when the man is so
obviously moral. When do you take orders, Mr. Williams?”
“Early next year, when I finish my studies at
Oxford. Miss Caterham, if you would rather not dance with me, I'd be
disappointed but willing to release my claim.”
“No, no, I didn't mean that. Yes, I'd love to
dance with you again. Please. Even two more times.”
“Twice more is excessive,” Lady Caterham
added.
When the next dance started, another country dance
that would let the participants converse between the figures, Mr.
Williams asked, “So Amanda, why are you so interested in natural
philosophy?”
Amanda blushed, “Not philosophy, engines, power,
steam. Ever since I saw Trevithick's engine in London, I've wanted to
build one of my own.”
“Indeed? Tell me about it. Have you made much
progress?”
“Well, I don't have any engines, right now. Sam
and I are building another one. It will be a corker.”
“Sam?”
“Mr. Perkins, my maid's husband, a blacksmith.”
“So not a rival.”
Amanda laughed, “Good Lord, no.”
“Good. So if you don't have an engine, what else
are you interested in?”
Amanda paused until the next chance to talk, and
then replied, “Bearings, bearings and springs.”
“Bearings?”
“I want to go fast, very fast, so quickly that
the axles would smoke and the wheels fall off with a regular
carriage. Sam and I can build the engine and the gears, but need a
carriage that will handle the power.”
“I suppose your family approves?”
“What they don't know won't hurt them.”
“If you say so, Miss Caterham, but I've found
keeping secrets leads one into sticky situations.”
“What do you know of secrets? Studying for the
clergy, I'd assume you lived a tame life.”
Mr. Williams stopped, stunned that she would shoot
so near the mark, interrupting the dance figure for a few seconds.
“More than I can tell you.” Then he quickly resumed the dance.
Amanda was piqued, “So you have a secret, or are
you just offering me a nut to crack open as a puzzle?”
“I hope you'll find the meat at the heart of
this nut to your liking.”
“Are you trying to flirt with me?”
“Yes. Trying, not succeeding.”
“If you're like most men I've met it's just a
conker, hard on the outside, bitter and inedible on the inside. What
brings you to the wilds of Sodbury?'
“That I can answer directly. I'm on a repairing
lease. Been burning the candle at both ends too long at the
'varsity.”
“Daily Compline and Evensong too much for you?”
“One might say that.”
“From what my brother Frederick says, it's
probably the all-night drinking and parties on the Cherwell.”
Mr. Williams smiled at her, which she took for
confirmation. Then he added, “It's the all-nighter's in any case. I
was told to rest, and leave off it until I recovered.”
“Have you recovered?”
“I've made great strides. Dancing with beautiful
women helps immensely.”
The music ended. Mr. Williams and Amanda bowed to
each other. Good manners dictated that she dance with other partners.
For some reason the officers who were available and willing seemed
curiously flat. Good dancers, elegantly mannered, but deficient in
conversation.
The evening ended well, at least the dancing did.
Partway back to Caterham hall, when the carriage went over a steep
bump, there was snap. It was followed by a gentle hiss and the box
leaned to the right.
Lady Caterham was startled, “What was that?”
“One of the seals broke. Blast.”
“Amanda! What did I tell you about your
language.”
“I'm sorry. It's just Sam and I put such a lot
of effort into building the springs. To have one fail so quickly.
It's highly annoying.”
'”I just wish, Amanda, that you would pay
attention to the important things in life, marriage and men.”
“Mother.”
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